

Arguably the man who invented the idea of a tribute album, his legacy includes works as varied as the songs of Disney, the music of jazzers like Monk and Mingus, and, for good measure, the music and songs of Kurt Weill, Leonard Cohen and T.Rex. This keenly anticipated project was the swansong of the mighty Hal Willner, the tributes maestro who left us a year last April, as a result of complications of Covid 19.
#Nico the velvet underground and nico full
That first album was, to give it its full title, The Velvet Underground and Nico, with the iconic banana logo, and it is this record that is here recreated and revisioned, revalidated and recalibrated.
#Nico the velvet underground and nico plus
Be that as it may, in the half century plus since, the star of this still sometimes difficult record has shone ever more brightly. Lyrics about sado-masochism, IV drugs and prostitution were seen as anathema to the mores of the day, and the linkage to Andy Warhol, then enfant terrible of the American art-house film movement, will have hardly have warmed them to any mainstream audience. (Ed: It was, in fact, no less than Brian Eno who made this assertion, in 1982.) Hampered by a brace of lawsuits, relating to the copyright of some of the cover photos, the album limped out in 1967, taking some time to ratchet up many sales at all, trashed by critics and ignored by the record label publicity machine. I forget, maybe it was all those who bought their first album started a band, but again, the numbers don’t really stack up until you collate the cumulative sales, decade on decade after the initial release.

But, hey, it’s a great tale and, who knows, had they all actually been there, the band may have been a lot bigger and more successful in their lifetime.įor, undoubtedly, their imprint on rock music has been hugely out of proportion to their actual footprint. Many would have been in the wrong country, likewise. Certainly, were that the case, their shows must have been jampacked with underage punters, with children, even, since most of those in bands and who most keenly rate them and cite their influence would have been far too young. I love the old chestnut that everybody who ever saw the Velvet Underground started a band.
